My grandfather Igor, who unfortunately I did not have a chance to see, was in Chernobyl in 1986 as an engineer and liquidator of the accident. After receiving large doses of radiation, he died of blood cancer, leaving my grandmother Mila alone in a one-room apartment quartet, which was received as a reward for my grandfather’s work. My grandmother, however, had two close friends Valya and Ira, who worked together with Mila and Igor in the same RosAtom Ministry and who also connected their fate to tragedy. In Chernobyl, Valya worked for three months as a secretary, Ira went with her husband only for a few weeks. All three women in the result received the status of "Chernobyl Widows", irreparable health consequences, painful memories.
The accident at the Chernobyl NPP is a disease that has poisoned entire generations. The people who lived through all this horror, who took part in the liquidation, who saw everything in real life, have been forgotten and abandoned like blunders in history. All experienced memories have been incorporated into their way of life, into their typical one-room apartments. This work explores the intersection of present and past, the indistinguishable consequences of the catastrophe and the permanence of the place.
The installation is an image of a typical Khrushchev apartment in which Ira, Mila and Valya still live. Each heroine has her own room, which represents her perceptions of the past and today.
My grandfather Igor, who unfortunately I did not have a chance to see, was in Chernobyl in 1986 as an engineer and liquidator of the accident. After receiving large doses of radiation, he died of blood cancer, leaving my grandmother Mila alone in a one-room apartment quartet, which was received as a reward for my grandfather’s work. My grandmother, however, had two close friends Valya and Ira, who worked together with Mila and Igor in the same RosAtom Ministry and who also connected their fate to tragedy. In Chernobyl, Valya worked for three months as a secretary, Ira went with her husband only for a few weeks. All three women in the result received the status of "Chernobyl Widows", irreparable health consequences, painful memories.
The accident at the Chernobyl NPP is a disease that has poisoned entire generations. The people who lived through all this horror, who took part in the liquidation, who saw everything in real life, have been forgotten and abandoned like blunders in history. All experienced memories have been incorporated into their way of life, into their typical one-room apartments. This work explores the intersection of present and past, the indistinguishable consequences of the catastrophe and the permanence of the place.
The installation is an image of a typical Khrushchev apartment in which Ira, Mila and Valya still live. Each heroine has her own room, which represents her perceptions of the past and today.
EVERYTHING NOT SAVED WILL BE LOST
Personal exhibition at KLUB DER KÜNSTE in October 2022
Serafima Bresler's study of domestic space was conducted from different angles: from the perspective of her family's tragic history related to the Chernobyl disaster in 1986; from the perspective of the home as a childhood memorial; as a country that started a horrifying war in Ukraine. With each new phase there was a clear understanding that home became an independent fragile structure, which relies more on the environment than on the resident. The environment behind the walls takes over, controlling the function, the structure, the inner life of the inhabitants, destroying the main function of the house - refuge. In the KDK space the installation "Everything is under control" is presented, which will include all three stages of research creating a unified reflective environment.
